But each chapter mainly saw T’Challa battle either a specific villain, like the deformed snake handler Venomm, or the elements of his own nation, like the giant white gorillas populating the polar mountains of Wakanda. The overarching story of “Panther’s Rage,” which ran for 13 chapters, was about T’Challa and Killmonger. Jordan, serves as the villain of the Black Panther film). Running from 1973 to 1976, “Panther’s Rage” saw the Panther return to his nation and people after a long absence, only to deal with both distrust and anger from his court and a violent revolution led by the sadistic, calculating Erik Killmonger (who, as played by Michael B. At an editorial meeting, McGregor was assigned to write both Killraven (a recently launched sci-fi story that would become famous for featuring comics’ first interracial kiss) and a new Black Panther feature that would run in Jungle Action. “Panther’s Rage” is the first and possibly most distilled exploration of T’Challa’s burden of responsibilityĮvidently, one of the higher-ups agreed with him. But with the Civil Rights Movement of the 1960s spilling over into the Black Power movement and anti-racism riots of the 1970s, one Marvel employee felt that just shunting the Panther into a slot with Earth’s Mightiest Heroes wasn’t enough. Created by Lee and Kirby, King T’Challa of Wakanda - aka the Black Panther - premiered in the pages of Fantastic Four in 1966 and, after a few more appearances, wound up joining the Avengers. As the new creative status quo solidified over the decade, Marvel published a plethora of definitive superhero storylines, including “The Six-Arms Saga,” “The Kree-Skrull War,” and the original (much better) “ Secret Empire,” and tapped into the underground comix zeitgeist with tongue-in-cheek creations like Howard the Duck and Man-Thing.īut one of the company’s most pioneering heroes was cast aside. These include names like Roy Thomas, Gil Kane and Gerry Conway, who was 19 when he succeeded Lee as writer on The Amazing Spider-Man. Stan Lee moved on from writing essentially the entire Marvel line to become publisher in 1972, leaving his, Kirby’s and other creations in the hands of ascended fans. Marvel was left floundering, and that wasn’t the only change. Peter Parker’s old bully Flash Thompson got drafted to Vietnam Spidey himself got swept up with campus protesters, and the Hulk represented Cold War nuclear anxieties writ large.īut in 1970, the House of Ideas lost a founding pillar, when Jack Kirby - co-creator of virtually every Marvel superhero except Spider-Man (though he always maintained he’d helped there too) - left the company. Not only that, but Marvel also touched on issues concerning one of their primary audiences: college kids. Marvel had come back from near-obscurity the decade before, when creators like Stan Lee, Jack Kirby and Steve Ditko broke established format to craft long-running soap operas around Spider-Man and the Fantastic Four. The 1970s were an odd time for superhero comics.
The roiling cauldron of the Bronze Age of comics And they did it when Marvel Comics was in considerable upheaval. Craig Russell colorist Glynis Wein and letterer Janice Chiang - hit upon a more. Don McGregor and his art team - which included artists like Rich Buckler, Gil Kane and Billy Graham inkers Klaus Janson and P. It had to be structured a little differently. While today’s superhero comics tell one story arc over roughly six issues, and then get promptly released in trade paperback format, “Panther’s Rage” dropped at a time when newsstands were still the primary mode of distribution for comic books. “Panther’s Rage” was the first definitive Black Panther story and kickstarted a narrative revolution a decade before Frank Miller and Alan Moore.
Racist rage comics full#
A full decade before The Dark Knight Returns and Watchmen, an entirely different, multi-year saga pioneered modern superhero comic storytelling.
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